Walking tall
The final moments in “Love and Family” give me chills. Bobby tells Sue Ellen they need to act like J.R. and let Cliff believe he’s won, and then as a rousing rock tune rises in the background, Bobby raises a glass of bourbon to a framed photograph of his beaming big brother. Cut to John Ross and Pamela standing before a justice of the peace (John Ross: “You doing this because you love me, or because you hate your father?” Pamela: “I do.”), then to Cliff as he sweeps into Ewing Energies and takes the keys from Bobby. “I can only imagine the look on J.R.’s face right about now,” Cliff smirks. “Me too,” Bobby responds. As our hero walks away in slow motion, a sly smile breaks across his face, the drumbeat builds, the screen fades to black, and all I can think is: Damn, this show is cool.
Patrick Duffy’s smile recalls all the classic “Dallas” episodes that end with J.R.’s grin, but we feel the character’s presence throughout this episode. Christopher’s obsession with beating Cliff recalls J.R.’s own efforts to outmaneuver him during the original series. Likewise, John Ross’s ploy to snag a piece of Barnes Global by marrying Pamela bears the hallmarks of an old-school, whatever-it-takes J.R. scheme. Even the way Bobby subtly pressures John Ross into the marriage is a little J.R.-esque. Perhaps the lesson here is that J.R.’s values weren’t his alone; they belong to the whole Ewing family. This is why we shouldn’t question “Dallas’s” ability to keep going after Larry Hagman’s death. His loss leaves a hole that will never be filled, but the “Dallas” themes have always been bigger than any one character. So far the new show has done a hell of a good job reminding us of this.
In addition to keeping J.R.’s spirit alive, “Love and Honor” director Randy Zisk also showcases Brenda Strong and Emma Bell, who deliver standout performances during Ann’s confrontation with her daughter at the scene of Emma’s car wreck. My heart breaks for Emma when she lashes out at Ann for allowing the controlling Rylands to take her away when she was a child (“You escaped! You did four years! I did 20, Ann!”). I also cheer when Ann tells her daughter she won’t bail her out until she agrees to get help for her addictions. “Why are you doing this?” Emma screams as Sheriff Derrick leads her away in handcuffs. “Because I’m your mother!” Ann responds. This is probably Bell’s best scene yet and Strong’s finest moment since Ann’s testimony in “Trial and Error.” (Perhaps not coincidentally, that episode, like “Love and Family,” was written by John Whelpley, who joined the “Dallas” writing team this season.)
“Love and Family’s” other great performances come from Jordana Brewster and Kuno Becker, who knock me out in the scene where Drew finally confesses his role in the rig explosion to Elena. Brewster has to convey a lot of emotions – shock, anger, disappointment – all in the same breath. She sells every one. Likewise, Becker makes me feel Drew’s anguish and guilt. These two actors have another terrific scene at the end of the episode when Elena and Carmen (Marlene Forte, who holds her own against her on-screen children) bring Drew money and bid him farewell as he sets off to find Harris’s missing henchman, Roy Vickers. It’s a measure of how much I’ve come to like Becker that as I watch Drew ride away on his motorcycle, I find myself worried for the character.
The same thing can’t be said about Cliff. The scene where we learn Katherine willed her share of the Barnes-Wentworth empire to him raised the ire of “Dallas” diehards who remember there was never any love lost between those two characters. I suspect we’re going to find out there’s more to this story. Perhaps Cliff cheated Katherine out of her share, or maybe she faked her death and is in cahoots with him in his plot against the Ewings. (On “Dallas,” stranger alliances have occurred.) Either way, this seems to be another nail in Cliff’s coffin. The character has turned so villainous; it’s hard for me to imagine how the show can redeem him.
More and more, I wonder if we might be witnessing the last hurrah of Cliff Barnes. Ken Kercheval was positively chilling at the beginning of the season, when Cliff was so focused on bringing down the Ewings, he allowed Frank to kill himself rather than disrupt his schemes. Since J.R.’s death, Kercheval has given us glimpses of the man Cliff used to be – a sweeping hand gesture here, a self-satisfied smirk there – which is a clever way of signaling how Cliff is letting his guard down. (Costume designer Rachel Sage Kunin’s choices for Cliff’s wardrobe might be telling too. Notice how his all-black outfits are slowly giving way to more colorful garments. Even the old pocket squares are back.) With the Rylands now established as potent Ewing foes, I wonder if John Ross and Pamela’s wedding in this episode will mark the beginning of a new chapter in the Barnes/Ewing feud – or will it serve as a kind of denouement?
With these questions on my mind, I can’t help but find Bobby’s slow-motion walk away from Cliff at the end of this episode kind of poignant. After all these years, Cliff has gotten his revenge. (Tellingly, the title of the terrific song that plays during this sequence is “My Time Has Come” by the Bowery Riots.) Even if you don’t like Cliff, you have to admire his persistence. You also have to admit: It’s going to be mighty satisfying to see the Ewings take this bastard down.
Grade: A
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Here we go again?
‘LOVE AND FAMILY’
Season 2, Episode 13
Telecast: April 8, 2013
Writer: John Whelpley
Director: Randy Zisk
Audience: 2.4 million viewers on April 8
Synopsis: John Ross marries Pamela after she persuades Cliff to give her one-third of Barnes Global. Cliff takes control of Ewing Energies. After Emma gets high and wrecks her car, Ann refuses to bail her out. Drew confesses his role in the bombing to Elena, who gives him money after he goes on the run to find the missing Vickers. Christopher and Elena leave for Zurich to find Pam.
Cast: Kuno Becker (Drew Ramos), Will Beinbrink (Curran), Emma Bell (Emma Brown), Jordana Brewster (Elena Ramos), Ralph Brown (justice of the peace), Ron Corning (news anchor), Jerry Cotton (judge), Akai Draco (Sheriff Derrick), Patrick Duffy (Bobby Ewing), Todd Everett (prosecutor), Alex Fernandez (Roy Vickers), Marlene Forte (Carmen Ramos), Julie Gonzalo (Pamela Barnes), Linda Gray (Sue Ellen Ewing), Josh Henderson (John Ross Ewing), Cynthia Izaguirre (news anchor), Ken Kercheval (Cliff Barnes), Jesse Metcalfe (Christopher Ewing), Kevin Page (Bum), Mitch Pileggi (Harris Ryland), Brenda Strong (Ann Ewing), Steven Weber (Governor Sam McConaughey)
“Love and Family” is available at DallasTNT.com, Amazon.com and iTunes. Watch the episode and share your comments below.
